top of page
Director's Statement
More than twenty years ago, when I was still a film student, I first met and began filming this Ukrainian family.
Serhiy, Katya’s father, was a Chernobyl liquidator. He called himself and his friends “larks” — birds that are the first to rise into the spring sky. He called his struggle to survive after the disaster “Chernobyl-2.” For him, it meant trying to keep living against all odds — through illness, uncertainty, work, family life, and the constant presence of death.
Through Serhiy, Tanya and Katya entered my life and remained part of it for more than twenty years.
When Russia’s full-scale war against Ukraine began in 2022, I called Tanya immediately and urged them to come to Canada. But Tanya said she would stay in Ukraine no matter what. So I went myself. I felt a strong need to be there — in the city where I grew up, with people whose lives had long become intertwined with my own.
In talking with Tanya, I recognized the same inner strength — the fragile balance between fear and the will to live that I had seen many years ago. The same ability to support one another, to find warmth and even humor despite everything. And, despite what was happening, to keep believing — in victory, in justice, in the possibility that good can overcome evil.
For me, it was important to be inside what was happening — to better understand how people change, what they think about the war, about Russia, about Putin, about Ukraine, about Zelensky, about the Russian language. The voices of ordinary people with such direct and painful experience often speak about reality more honestly and precisely than any public statements.
When I learned that Katya was getting married, I understood how important it was for me to be with them at that moment, and I flew to Ukraine. Katya told me she wanted lilies in her bridal bouquet — the same flowers her mother had held at her wedding.
For me, Chernobyl-2: Life After is a film about the tragic history of Ukraine, but also about time, memory, and the continuity of human experience. Two catastrophes, separated by decades, enter the life of the same family.
And still, they keep living.
REVIEWS
Подивилася. Плакала і сміялась... Дуже зворушливий фільм. На початку чекала від автора якихось коментарів. А чим далі ця історія розгорталася, тим більше впевнювалася, що тут не стільки слова важливі, скільки те, що відбувається в кадрі.
Обличчя Сергія, коли він у лікарні дивиться фільм про себе, закарбувався, мабуть, назавжди. Я не бачу цих кадрів, але, коли по його щоці біжить сльоза, упевнена, що на екрані Ялта... Тетяна дуже органічна в кадрі, гарна мова, не боїться висловити свою думку. Приємно дивитися на неї і слухати її.
Таких документальних фільмів, думаю, одиниці, коли життя героїв показують у настільки тривалому проміжку часу - від маленької дівчинки до нареченої. Вітаю з гарною роботою! Хай її гідно оцінять! Щодо мови для показу в Україні. Очевидно, треба буде зробити ще й українські титри. Переозвучувати не варто.
I watched it. I cried and laughed… A deeply moving film. At first, I expected some commentary from the filmmaker. But as the story unfolded, I became increasingly convinced that what matters here is not so much the words as what happens on screen.
The look on Serhiy’s face as he watches a film about himself in hospital will probably stay with me forever. I can’t see the images he is watching, but when a tear rolls down his cheek, I’m certain that Yalta is on the screen… Tetiana is very natural on camera. She speaks beautifully and is not afraid to express her opinion. It is a pleasure to watch and listen to her.
I think there are very few documentaries that follow their subjects’ lives over such a long period—showing a little girl grow into a bride. Congratulations on such wonderful work! I hope it receives the recognition it deserves! As for screenings in Ukraine, Ukrainian subtitles will clearly be needed as well. I wouldn’t dub it.
Tetyana Kolyadynska,
Dnipro, Ukraine, 2026
“…Chernobyl-2 is a unique meditation on human strength and helplessness, poignant memories, and the bleak reality of the nuclear disaster’s aftermath. The film captures a historical tragedy as a personal story, in which extraordinary human relationships overcome the abstract terror of what happened at Chernobyl.”
Reviews of the original film DocPoint, Helsinki, 2006
“…The simplicity of Olga’s student film Chernobyl-2 is initially somewhat disconcerting. Yet by the twelfth minute, the technical imperfections of the image begin to recede into the background, giving way to an aching sense of compassion. Close-ups of the protagonists, the understated choreography of glances and tentative touches — the film’s entire visual language is attuned to an inner human beauty that cannot be conveyed through a perfectly composed shot or a meticulously chosen colour palette. Chernobyl-2 also made a strong impression on the jury, winning the award for Best Short Film…”
Reviews of the original film
Literaturnaya Gazeta, 2005, No. 47
bottom of page